Front, Close up of Emanicpated Men from Earthi; Perception of Ibrahim Hatami kia s Cinematic Narration

Wars are regarded as events of destructividentity as well as constructive - identity. The imposed war between Iran and Iraq also had not been exceptional to this rule. On the other hand, identity is also product of self - identification by self and other and can transform to this identiicaion or imaginary adaptation.
In this framework, artistic images including cinematic pictures, options and instrumert for representing and narrating events and concepts, are regarded as resources and components of constructive - identity and can contribute to self - exploration of societies. War s cinema genre in our society is mainly seeking to narrate and represent imposed war as event of constructive - identity and attempt to tie it to our response to question of our identiy. On this base, this article analyze cinematic narration of Ibrahim Hatamikia from imposed war as mystical and spiritual narration and try to review institutions and tis time and contextual framworks in a perception that is consistent with Islamic revolution identity frameworks.