Document Type : Original Article
Author
Assistant Professor, Department of Architecture, Science and Research Branch, Islamic Azad University, Tehran, Iran
10.22034/rjnsq.2022.335827.1388
Abstract
One of the architecture's purposes is to explain "identity" at various levels and based on cultural background. It appears that since the growth of the foundations of modernity in the regions with identity, this function has encountered obstacles, and numerous dimensions of architecture, including interior architecture, have been imitated, broken from traditions, and lack identity. Consequently, how to identify interior architecture - regardless of the use of space - and determine the "fundamental components" is the main subject of the current research. The study's main purpose is to develop a fundamental structure for evaluating and designing the identity and tradition-oriented interior architecture. To accomplish this purpose, data pertaining to interior architecture, tradition, and spatial identification were collected using a qualitative research approach and based on the method of contextual theorizing and content analysis, and also, the resultant information was directed in order to meet the goal. The results have been organized and their theoretical underpinnings have been established for the research's philosophical perspective by employing an argumentative and inferential approach. According to the results of a study, the four traditions of "providing trust," "negating harm," "talent," and "reflection of acts" have a profound content link with the process of making an architectural work. In the way that the tradition of providing trust guides the architects' epistemology, vision, intention, and motivation. Furthermore, the tradition of negative negation encompasses functional approaches and the manner in which conceptual components from the environment are used (fixed, semi-fixed, and non-fixed elements). The talent tradition is related to the emergence of interior architecture work, and the reflection tradition explains the mutual impacts of the work of the architect and the audience. A model based on holy traditions and expressing the answers to establish a platform for the quality of the architect and the audience of the interior space has been presented as a result of the logical juxtaposition of these examples
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